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DUBINI Dubini combines ancient craftsmanship with contemporary design-each piece is not just jewellery, but a fragment of history. www.dubini.co.uk

Long before coins became objects of collection, they were among the most widely circulated forms of visual storytelling....
21/09/2026

Long before coins became objects of collection, they were among the most widely circulated forms of visual storytelling.⁠
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Gods and goddesses appeared on ancient coinage not simply as decoration, but as powerful symbols of identity, belief and authority. Their attributes and familiar forms communicated messages that could be understood across cities, kingdoms and cultures.⁠
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We explore why divine figures found their way onto ancient coins and what their portraits can reveal about the worlds that created them.⁠
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23/08/2026

Unveiled | Demetrius Coin⁠
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HISTORY⁠
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Antiochus VI Dionysos (148-142 B.C.), the 13th monarch of the Hellenistic Seleucid Kingdom. His radiate and diademed head complements the irregular, serrate edges of the coin.⁠
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The boy king Antiochus was nominated by the general Diodotus Tryphon, later heralded as ‘The Magnificent’, as heir to the throne, opposing Demetrius II. Throughout his short life, he remained a tool of the general, who declared himself king of the empire following Antiochus’s sudden death. Some ancient authors claim Diodotus Tryphon was responsible for the king’s demise, while others suggest he died during surgery.⁠
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Antiochus VI, or rather, Diodotus’ centre of power was initially at Chalcis by Bellus, but he soon took control of Apamea. Diodotus was eventually successful in forcing Demetrius II out of Antioch in 143 B.C., and Antiochus VI’s domain expanded further into Cilicia, Coele Syria and Phoenicia.⁠
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COIN DETAILS⁠
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Antiochus VI, AE, Circa 143-142 B.C., Bronze, 25mm.⁠ ⁠ ⁠
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Obverse: Radiate and diademed head of ⁠Antiochus VI Dionysos.⁠
⁠Reverse: An advancing elephant bearing a torch.⁠
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⁠Discover a selection of coins on our online directory or DM us for bespoke enquiries.⁠
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11/08/2026

A lion that has endured for more than 2,300 years.⁠
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Long before it became the centrepiece of this signet ring, this ancient silver hemidrachm was minted in the Thracian Chersonesos, one of the most strategically important regions of the ancient Greek world.⁠
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The lion, shown turning its head back, embodied courage, strength and authority. More than two millennia later, those qualities remain just as meaningful.⁠
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Ancient coins are often admired from a distance, preserved behind glass and out of reach. We believe history can be experienced differently. Hand set in 18k gold and embellished with diamonds, this coin becomes something to wear, to cherish and ultimately to pass from one generation to the next.⁠
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Every piece that incorporates an ancient artefact begins with a story. Sometimes it starts with an ancient coin. Sometimes with a personal idea. Together, they become something entirely unique.⁠
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Because history is meant to be worn, not simply observed.⁠
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28/07/2026

Unveiled | Artemis Coin⁠
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HISTORY⁠
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Profile of Artemis, the Greek goddess of the hunt, nature, childbirth and the wilderness. She is displayed with her symbolic quiver over her shoulder, sporting a beautifully detailed practical hairstyle, highlighting her spirited character.⁠
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Artemis “Soteira,” meaning the “saviour” or “deliverer”, was a form of the goddess that only appears on Syracusan coinage. This suggests this was a local cult title, distinct to the Syracusan population. Invoked in this form, the Syracusans sought to celebrate their piousness and association with the strength of Artemis, especially in a period where they successfully resisted the invasions of the Athenians and Carthaginians.⁠
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Artemis was one of the most widely venerated of the Olympian deities with her great temple at Ephesus being considered one of the Seven Wonders of the Ancient World. This coin not only displays the celebration of her locally in Syracuse but highlights the power she held throughout antiquity.⁠
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This coin holds significant historical context, as Agathocles was renowned for his tyranny. He is cited in Machiavelli’s “The Prince” as an exemplar of successful tyranny and glory. The thunderbolt symbolises cosmic order, reinforcing the propagandistic aspect of the coin and highlighting the control Agathocles held over his territory.⁠
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COIN DETAILS⁠
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Sicily, Syracuse, Agathocles, AE, Circa 317-289 B.C., Bronze, 23mm.⁠ ⁠ ⁠
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Obverse: SWTEIRA Head of Artemis Soteira r. with quiver. ⁠
⁠Reverse: ⁠AGAQOLKEOS / BASILEOS lightning bundle.⁠
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⁠Discover a selection of coins on our online directory or DM us for bespoke enquiries.⁠
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19/07/2026

Unveiled | Ear of Barley Coin⁠
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HISTORY⁠
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⁠An ear of barley is a symbol for Demeter, the Goddess of grain and harvest. Demeter’s emblem asserted Lucania as a fertile and abundant territory. ⁠
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Metapontion, a colony in Lucania, was known for its fruitful farmland, and this coin represents the type of grain most plentiful in the region. The coins of Metapontum are among the most recognisable from the ancient world due to the prominent barley symbol. This large grain-ear signifies either the agricultural wealth of the area or an etymological link to the Greek word for the autumn harvest, ‘metoporinos,’ marking the time when the city’s grain crop was gathered. Barley was often used in religion, one would cup the grain in their hands, say a prayer and throw the grain forwards. Throwing barley remains a gesture of celebration and joy, seen in weddings, New Year’s celebrations, and other occasions.⁠
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Given the city’s reliance on barley grain, this symbolic nod to Demeter is fitting. Beyond her association with grain and threshing, her functions extend further than fields, and she was often identified with the earth goddess, Gaia.⁠
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COIN DETAILS⁠
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Ear of Barley, Stater, Circa 510-470 B.C., Silver, 26mm.⁠ ⁠ ⁠
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Obverse: ⁠Ear of Barley symbol, Meta inscription bottom right.⁠
⁠Reverse: ⁠The same design as the obverse, but in an incuse (concave) form.⁠
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⁠Discover a selection of coins on our online directory or DM us for bespoke enquiries.⁠
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27/06/2026

Unveiled | Dioscuri Coin⁠
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HISTORY⁠
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This captivating motif has been variously interpreted as representing the Dioscuri, the rising and setting sun, or the two branches of the river Danube.⁠ On the reverse, an eagle, representing Zeus, and the dolphin, symbolising Poseidon or Apollo Delphinios, suggest a harmony between the celestial and aquatic realms. ⁠
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The Dioscuri, Castor and Pollux, epitomised courage and bravery and were especially revered by soldiers and cavalry. Renowned as protectors of sailors, they were believed to have the power to calm seas and still winds. In Rome, their legendary intervention at the Battle of Lake Regillus in 496 B.C. secured a pivotal victory for the Romans against the Latins. ⁠
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The constellation Gemini is intrinsically linked to the Dioscuri. Sharing the same mother, Leda, Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine offspring of Zeus. Together, they joined Jason on the Argo and famously saved the ship from a deadly storm. When Castor perished in battle, Pollux implored Zeus to reunite them. Zeus granted this wish, immortalising them in the stars and allowing them to alternate between Earth and the heavens. Sailors who spotted the twin stars believed they were blessed with a prosperous voyage.⁠ ⁠
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COIN DETAILS⁠
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Moesia, Istros, AR Quarter Drachm, Circa 4th Century B.C.⁠, Silver, 11mm.⁠ ⁠
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Obverse:⁠ Two facing male heads side by side, one upright and the other inverted.⁠
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Reverse: IΣTPIH Sea eagle standing left on dolphin; below dolphin. ⁠
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⁠Discover a selection of coins on our online directory or DM us for bespoke enquiries.⁠
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ZodiacCoin

06/06/2026

Unveiled | Juno Coin⁠
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HISTORY⁠
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This denarius depicts Juno Sospita, one of the oldest and most martial aspects of Rome’s queen of the gods. The goat’s skin, an archaic symbol of vitality and defence, emphasises her role as guardian of women, childbirth, and the Roman state.⁠
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COIN DETAILS⁠
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Juno, Denarius, Circa 80 B.C.⁠, Silver, 20mm.⁠ ⁠
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Obverse:⁠ Head of Juno, facing right, wearing the skin of a goat, its horns framing her face. This attribute identifies her as Juno Sospita, meaning “the Saviour,” a protective deity whose cult was centered at Lanuvium, where she was believed to guard the community in times of danger.⁠
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Reverse: ⁠Juno Sospita riding a b**a to the right, holding a spear and shield. Conveying motion and authority, showing the goddess as an active protector who intervenes in moments of conflict. Her appearance in a chariot associates her with military success and divine oversight, reinforcing her role as a defender of Rome.⁠
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⁠Discover a selection of coins on our online directory or DM us for bespoke enquiries.
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Q&A • How small or large can an ancient coin be?⁠⁠Ancient coins were struck in a remarkable range of sizes, shaped by th...
30/05/2026

Q&A • How small or large can an ancient coin be?⁠
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Ancient coins were struck in a remarkable range of sizes, shaped by the metal used, the denomination, and the issuing authority.Ancient coins were struck in a remarkable range of sizes, shaped by the metal used, the denomination, and the issuing authority. The smallest, tiny silver obols or bronze minims, were no larger than a fingernail, intended for everyday transactions. The largest, such as the grand Tetradrachm of Alexander the Great or the bronze Dupondius of Caesar Claudius, were struck as statements of power and prestige, nearly the size of a modern pocket watch.⁠
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At Dubini, we work across this entire spectrum, finding beauty in the intimate scale of a small silver and in the commanding presence of a large medallion.⁠
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DUBINI x Boffi|DePadova — A setting for conversation, craftsmanship and design.⁠⁠Bathed in natural light and framed by t...
24/05/2026

DUBINI x Boffi|DePadova — A setting for conversation, craftsmanship and design.⁠
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Bathed in natural light and framed by timeless Italian interiors, Boffi|DePadova’s London home set the stage for an evening celebrating heritage, design and craftsmanship in the heart of Chelsea.⁠
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Hosted by Benedetta Dubini in conversation with jewellery curator and consultant Archana Thani, the showroom became an elegant backdrop for an exploration of coin jewellery, numismatics and the enduring dialogue between antiquity and contemporary design.⁠
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Located on the first floor of a modern four-storey building, the penthouse-style space is an ode to the art of urban living — where refined minimalism, expansive light and Italian craftsmanship create a destination for architects, interior designers and collectors alike.⁠
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Thank you to for welcoming us into such a beautiful setting, and to everyone who joined us for an evening of history, objects and storytelling.⁠
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Jewellery ⁠
Florals .studio⁠
Sculpture ⁠
Photos

DUBINI x Boffi|DePadova — Wearing History, in detail.⁠⁠A closer look at the pieces, textures, and moments from our eveni...
23/05/2026

DUBINI x Boffi|DePadova — Wearing History, in detail.⁠
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A closer look at the pieces, textures, and moments from our evening at Boffi|DePadova’s London home.⁠
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Ancient coins, once exchanged and treasured, are reimagined by DUBINI as contemporary jewels — fragments of history worn close to the skin and carried forward by each collector.⁠
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From pieces displayed in vitrines to jewellery worn and held by guests, the evening celebrated the intimate dialogue between antiquity and modernity, craftsmanship and storytelling, object and wearer.⁠
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With thanks to , , and everyone who joined us.⁠
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Jewellery ⁠
Florals .studio⁠
Sculpture ⁠
Photos

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