Sara Fery

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Sara Fery Sara Fery trafora gioielli in argento e ottone come portali da indossare. Silhouettes suspended between light, shadow, and glimpses of elsewhere.

Silhouettes sospese tra luce, ombra e visioni.

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Sara Fery hand-cuts silver & brass wearable portals. Liberty rock, barocco chic, gotico ironico, mystic minimal, art inspired. Alchimia di opposti e anime che si armonizzano in silhouettes in argento e ottone, facendo del contrasto una firma. Ogni gioiello accessorio è portatore di un significato, concepito secondo una storia o rilettura di grandi opere. I codici stilistici sono facilmente identificabili, differenziano le collezioni e le personalizzazioni: il rivetto elettrosaldato, la sovrapposizione, l’argento con colorazioni variabili dalla fusione, l’imperfezione, le asimmetrie, le texture. La tecnica è di lavorazione diretta su metallo: non c’è uso stampi, laser o modelli in cera persa. Ogni pezzo è perciò realmente unico, riproducibile, ma irripetibile. YOUR FERY TALE / IL TUO GIOIELLO UNICO
Partendo da un’elaborazione grafica, anche da una bozza del cliente stesso, la mia diventa l’interpretazione di un desiderio, personalissimo. Un po’ come nella logica di un tatuaggio, trascrivo su metallo momenti importanti da indossare e col valore del “per sempre”. Oltre al rapporto diretto con privati, collaboro con boutique d’eccellenza, portali di ricerca, designer e artisti con cui da scambi e confronti sono nati progetti di accessorio gioiello ad hoc. Sono inoltre disponibile a creare mini collezioni per sfilate ed eventi. ENGLISH VERSION———————————————————
Liberty rock, baroque-chic, ironic gothic, mystic minimal, art inspired. Opposite souls joining in silver and brass silhouettes. Each jewel, each accessory carries a meaning, conceptualized through a story or a revisiting of a great work of art. My style identifies my work: superimposition, electrically welded rivets, the silver's color varying according to fusion. Imperfection, asymmetry, texture. I work directly on silver and my technique is rigorously free-hand without the use of laser or stencils. I work in layers and superimpositions, not three dimensionally. This means that each and every piece is totally unique. YOUR FERY TALE / YOUR CUSTOMIZED JEWELRY
Each piece is created from a unique, exclusive design, conceived in collaboration with the client (or even by the client) in an attempt to recreate the concept of a wish that defies time. Much like a tattoo, I create something which is forever. In addition to direct communication with my clients, I also work with high-end boutiques and research portals. I am passionate about the creation of independent projects born out of brainstorming/collabs with other designers and artists and am available for the creation of exclusive collections for fashion shows or events. Fery® is the jewellery brand created by Sara Capoferri. "Sara Fery" is the natural evolution as metal artist.

19/10/2026

ONE OF A KIND RINGS

A little selection of rings from my jewelry archive.

Different shapes, different characters. Each one individually made, each one of a kind.

Still available, ready to find its person.

Explore the rings at sarafery.com

NOCTURNA PAPILLONOui, ceci est un Papillon. De jour, de nuit, crépusculaire.I made Nocturna Papillon around the idea tha...
08/10/2026

NOCTURNA PAPILLON

Oui, ceci est un Papillon. De jour, de nuit, crépusculaire.

I made Nocturna Papillon around the idea that you can be light and deep at the same time.
Bright, and a little mysterious too.

Its silver wings were pierced by hand, hole by hole, then reticulated with flame.
A white cat’s-eye stone sits at the centre.

Nocturna Papillon, 2016.
From the Silver Archive.

STRIPPEDOctober 1st. Of course I had to bring Stripped back.A rib cage, a spine, a heart.Hand-pierced from a sheet of si...
01/10/2026

STRIPPED

October 1st. Of course I had to bring Stripped back.

A rib cage, a spine, a heart.

Hand-pierced from a sheet of silver and assembled with an antique ornamental element.

I made this piece years ago and called it Stripped.

Down to the bones.

From the Silver Archive.

THE CAGETwo trilogies.Dream • Wonder • FeelMaxi earrings.Wondering • Midair • OpenHeartBody necklaces.Six pieces built a...
23/09/2026

THE CAGE

Two trilogies.

Dream • Wonder • Feel
Maxi earrings.

Wondering • Midair • OpenHeart
Body necklaces.

Six pieces built around figures held inside a frame, suspended between space and body.

Looking back, this is where the silhouettes began.

Hand-pierced in 925 silver.
From the Sara Fery Archive.

MY AFRICA, 2013.Made after a journey to Kenya, a postcard jewel conceived as a way of fixing a memory in silver.A contin...
10/09/2026

MY AFRICA, 2013.

Made after a journey to Kenya, a postcard jewel conceived as a way of fixing a memory in silver.

A continent in 925 silver, surrounded by its own improbable bestiary. Every silhouette pierced by hand, each animal made separately and then soldered to the others, one by one.

Long before portals and keyholes, maps, creatures and cut-out figures were already finding their way into my work.

From the Silver Archive. For Collectors.

Lanzarote.Black stone, wind, improbable plants, Atlantic light.I came back with far too many images and probably a few n...
05/09/2026

Lanzarote.
Black stone, wind, improbable plants, Atlantic light.
I came back with far too many images and probably a few new shapes in my head.

I keep looking for windows, portals and occasional stargates. It’s almost involuntary.
I collect fragments, views and moments worth keeping.

Sometimes, though, it’s better to leave everything in a little chaos.
Here a small, miscellaneous selection of what caught my eye. (And yes, I have made a ton of videos too. And yes: César Manrique’s places deserve dedicated space.)

If you’re curious about any of the places, ask me.

Ceci n’est pas un collier - 2010Magritte’s sentence tells the truth. His pipe is only the image of a pipe.Mine is lying....
26/08/2026

Ceci n’est pas un collier - 2010

Magritte’s sentence tells the truth. His pipe is only the image of a pipe.

Mine is lying.

Made in 2010, this is a real, wearable collier in 925 silver. The sentence becomes its structure while denying the very object it physically creates.

Magritte questioned representation. I made reality contradict itself.

An old idea. I still find it rather sharp.

From the Silver Archive. By yours truly.

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