31/12/2024
Today introduces #175 William Bottin.
Guglielmo Bottin (1977) is music maker, sound artist and scholar based in Venice, Italy. After graduating in Psychology of Music at the University of Padua, he joined the sound and music department of Fabrica.
Before moving to the forefront of the contemporary electronic dance music scene with seminal releases on record labels such as Italians Do It Better, Eskimo and Bear Funk, he has worked as producer, arranger and remixer for Italian and international artists (Lucio Dalla, Rettore, Chambao).
In 2019, Bottin contributed to establish Biennale’s center for electronic music and multimedia. He has completed a PhD research project in musicology and technologies of groove at the University of Milan and he is a founding memeber of GRID, an academic research group on Italodisco.
Bottin has toured in more than 30 countries, from Americas to Australia, from Europe to Asia, from contemporary art galleries and underground parties to major clubs like Space and Pacha in Ibiza. He curated and performed in various music events for Biennale di Venezia and also carried out sound design for Mundadas’ Spanish Pavilion. In 2018 he was invited to play for the closing event at Biennale’s 62nd International Festival of Contemporary Music.
Bottin’s sets are eclectic, unpredictable journeys into cosmic disco-not-disco, digging out obscure sounds from the past and reworking them for the post-modern dance floor. A reckless blend of retro-futuristic sounds and current electronica. Side-projects include Italian neo-wave band Cristalli Liquidi and synth-percussion project Deardrums. Bottin’s Horror Disco music was recently discovered by director Ana Lily Amirpour and licensed in the feature film Mona Lisa and The Blood Moon.
Connect with William
https://www.bottin.it/