Susan Ewington Jewellery

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Susan Ewington Jewellery hand crafted fine jewellery Handmade contemporary jewellery, Noosa Qld Australia.

Specialising in unique and hand created fine jewellery, including Engagement and Wedding Rings.

A custom made stacking set of rings that recently left the studio. This set was born from some unworn 18ct gold rings, o...
16/10/2026

A custom made stacking set of rings that recently left the studio. This set was born from some unworn 18ct gold rings, one featuring a sunny, fancy intense natural yellow diamond.

My client selected two beautiful stones from my meticulously curated selection of natural gems in the shop, to create a trio of settings across a set of two stacking rings. A bright and dazzling Argyle white diamond, and a striking Queensland blue baguette sapphire.

Tones of the Mediterranean, echoes of architecture, and Bauhaus minimalism combine to create this extremely wearable set.

Hand fabricated, as always, with love and intense attention.

A sprinkling of recent happenings and studio life in jewellery land, for those that are curious. 🔥🙌🏼⚒️x Susan
14/10/2026

A sprinkling of recent happenings and studio life in jewellery land, for those that are curious.
🔥🙌🏼⚒️
x Susan

Really proud of myself with this one, NGL. What a remarkable sapphire to be entrusted with!! The brief was to use the sa...
07/10/2026

Really proud of myself with this one, NGL.
What a remarkable sapphire to be entrusted with!!

The brief was to use the sapphire, with the diamonds leftover from some older remodels, to make one precious necklace that had to be ...

Asymmetrical but balanced.
Not overly flashy or busy, minimal aesthetic was key.
Suspended as a whole necklace (not a pendant on a chain).
Articulated, with movement.

Completely hand fabricated in 18ct yellow and white gold (the chain was not made by me though) The connection points in this one took some serious thinking. I was quite literally making it up as I went along, except it’s the kind of thing you have be thinking about 12 steps ahead at all times.

This craft I get to call my job 💙

A custom remodel in soft tones, made for everyday living. Hand fabricated using my client’s icy blue sapphire, sprinkles...
01/10/2026

A custom remodel in soft tones, made for everyday living.

Hand fabricated using my client’s icy blue sapphire, sprinkles of 33 diamonds, and 9ct gold which we alloyed up to a more precious 14ct.

Remember, when it looks ‘simple’, it almost never is during the making. Removing 33 tiny diamonds from old rings. Major maths and melting to get an exact carat. Rolling and forging with serious heft for a 2mm thick size Z+. Tedious filing to drop and align the corners of the setting into the curve of the band. Intricate measuring and ordering of each diamond to layout as evenly as possible across the band.

These are tasks done with so much love for the process. You absolutely have to adore and trust the process in this job. Luckily, I do.

The other thing that’s just as important? The client has to trust the process too. That’s something I never take for granted. Thank you to S for this trust, I’m so very thrilled that it exceeded your expectations.

Some beautiful custom things made with some sweet stones. A ring with a little firecracker hexagon cut parti sapphire. A...
21/09/2026

Some beautiful custom things made with some sweet stones.

A ring with a little firecracker hexagon cut parti sapphire.

A pendant with the sweetest Hanami pink garnet cut by the fabulous pebble sprout

And a fun, bright green sapphire pendant that can be easily switched to a charm using the clasp feature.

Three things made for someone lovely, thank you, thank you, thank you ###

Minimal style, maximum sparkle.A recent custom remodel that left the studio a few weeks ago. A beautifully forged revers...
15/09/2026

Minimal style, maximum sparkle.

A recent custom remodel that left the studio a few weeks ago. A beautifully forged reverse tapered band, housing a partial bezel setting centre stone flanked by flush set, all natural diamonds. All hand fabricated in recycled yellow gold.

Simplicity, elegance, and classic wearability all wrapped up into one treasured new piece.

11/09/2026

Some of the making stages of the El Alma ring at e.g.etal Jewellery Melbourne

It starts with this. A solid block of 18ct gold, and loose stones. Note that the small white diamonds are vintage style single cuts, less facets than the more commonly used modern brilliant cuts. Every decision is intentional. These have an old world charm and aesthetic, their scintillation and sparkle is more inviting, more quiet.

Blood red ruby, warm ch*****ne diamond.

The rough form of the reverse tapered forged band.

Hand carving in possibly my favourite feature, the quilted texture on the band. This is extremely time consuming but a very lovely process nonetheless.

I’ve left on all my original workshop sounds for these slides, I truly think it’s a great privilege to be able to mix my days between any music, podcast, or audio book I desire! I don’t ever that this for granted!!

The finished piece 🫶🏼

Thank you for watching xx

Introducing the ‘El Alma’ ring as part of the Vena Amoris group show currently exhibiting at e.g.etal Jewellery Melbourn...
11/09/2026

Introducing the ‘El Alma’ ring as part of the Vena Amoris group show currently exhibiting at e.g.etal Jewellery Melbourne.

Hand fabricated from 18ct gold, and featuring an oval Argyle ch*****ne diamond, natural African ruby, and 2 single cut diamonds.

The brief was to make a precious ring in response to written word, a passage of our own choice that speaks to love.

“Take care of the blood that your love runs through” from the song Tourniquet by Zach Bryan.

For me, the deepest forms of love are dependant on how well we care for ourselves beneath the surface. To “take care of the blood” feels like tending to the inner world of our thoughts, emotional health and our sense of self. In my experience, the strength of a long-term relationship is deeply connected to this kind of quiet, inner self-preservation and how we can maintain it within ourselves. The way we hold ourselves shapes how love can live and thrive in conjunction with another person, and also within our children.

Visceral colour, imagery and a connection to an old-world aesthetic were important to include here. Drawing on the language of historical jewellery where symbolism and sentiment were inseparable, the chosen gemstones echo a physical sense of blood and warmth.

When playing with composition, this piece took an unexpected turn into a stylised sacred heart form, long tied to guarding the emotional self, holding both vulnerability and strength at once. In this way, it mirrors the quote perfectly, that love endures not just through devotion, but through the care we take in protecting the heart that carries it.

Opening this Thursday night at e.g.etal Jewellery Melbourne Vena AmorisAn exhibition of engagement rings from 12 artists...
07/09/2026

Opening this Thursday night at e.g.etal Jewellery Melbourne Vena Amoris

An exhibition of engagement rings from 12 artists, that explore the endless expressions and interpretations of love, drawing inspiration from the written word.

I’ll be in Melbourne for the opening night this Thursday 10th, which is extremely exciting indeed. (I’m packing a coat and a few layers as it’s been 30 degrees up here over the weekend and I really don’t think I’m suitably acclimatised!)

Head to e.g.etal Jewellery Melbourne for all the links and RSVP details.

I can’t wait to show you the ring I made for it and desperately wanted to keep.

Restorations are SO satisfying. This big, bold, 18ct gold ring had definitely seen better days and needed some serious T...
03/09/2026

Restorations are SO satisfying.
This big, bold, 18ct gold ring had definitely seen better days and needed some serious TLC.

The original stone, a sky blue topaz, was chipped and loose in the setting, and the original stippled texture had almost worn down completely.

The owner wanted to elevate the preciousness of the stone choice, and go for a softer, more feminine tone. This is often where the unseen hours go in a task like this, because I have to find the right stone proportions to fit the existing piece. (Normally when starting from scratch the metal proportions are determined by the stone, not the other way around!)

Some serious searching had to go into sourcing this stunning morganite, with thanks to the ever helpful team at Hamid Bros

The old setting was worn down, and to be honest, not in great condition underneath to honour this beautiful morganite. So I replaced the whole bezel plate to allow for a much more secure setting, as well as enough height for any future repairs to be made jut that little bit easier. (The repair jeweller in me is always considering the next repair, because this is the reality with precious things when we want to make them last and hand them down.)

The stippled texture was painstakingly reapplied by hand. I don’t have a hammer hand piece, so old school hammer and tool, done point by point, was the only way to go. But honestly, nothing beats this hand-done finish, the stipple effect is so much richer and playfully dappled this way.

Anyhoo, that’s enough about this one, I think the results speak for themselves!

Challenge me with your epically unusual restorations any day, I love them!!

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Noosaville, QLD

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