06/15/2026
Some men are known by the weight of their signature.
For him, we set aside the David Oscarson Pierrot and Pierrette. Sixth in the house’s series, finished by hand and held to a run of 88 pieces in each colourway. The design draws on a 17th century legend, two figures from the Commedia dell’arte who sit together on the crescent of the moon when love is returned, and apart when it is not. Pierrot alone with his mandolin, still composing.
What he will appreciate is the work beneath the surface. This is the first collection to carry three levels of guilloché, each circle cut by hand in three stages until the sunburst at its centre stands in high relief. Over that engraving sits hard enamel, ground by hand for hours, laid down with a quill, fired past a thousand degrees, then filed back with diamond and fired again until glass fills every valley of the pattern. The enamel alone takes a five year apprenticeship to master. Three VVS-1 diamonds mark the crown, the barrel and the clip. The nib is eighteen karat gold, engineered in Heidelberg, tipped with iridium so it writes for a lifetime.
This is not an object that asks to be unwrapped. It is one that asks to be used, every time he puts his name to something that matters.
Come see the Pierrot and Pierrette in person, for the man he is.