Kunsthandel Ralph R. Haugwitz

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RICHARD PüTTNER (1842 Wurzen - 1913 Munich)POSITANO (18-)96Black Chalk 350 x 410 mmSigned, inscribed, and dated lower ri...
18/04/2026

RICHARD PüTTNER (1842 Wurzen - 1913 Munich)
POSITANO (18-)96
Black Chalk
350 x 410 mm
Signed, inscribed, and dated lower right:
“R. Püttner” “POSITANO / 96”

The image shows POSITANO, founded in Magna Graecia, when it was a relatively unknown fishing village, long before it became the fashionable seaside resort it is today.

03/04/2026

Impressions from winter 2025/26 in and around Berlin
22/02/2026

Impressions from winter 2025/26 in and around Berlin

COMPTON, EDWARD THEODORE 1849 Stroke, Newington, England - 1921 Feldabing, Bavaria, German Empire The Three Peaks in the...
02/02/2026

COMPTON, EDWARD THEODORE
1849 Stroke, Newington, England - 1921 Feldabing, Bavaria, German Empire
The Three Peaks in the Sesto Dolomites (Die Drei Zinnen in den Sextner Dolomiten)
Opaque colors on cardboard, 640 x 820 mm !!
Signed lower right and dated 1906

An outstanding work in the painter’s oeuvre.

Compton lived in Munich from 1869 onwards and was an accomplished mountaineer who knew and studied the mountains and was a member of various alpine clubs. His mountain motifs are characterized by great realism, yet are also of the utmost painterly delicacy and power.
In the immediate vicinity of these peaks, this year’s Winter Olympics for Sky will begin on February 6, 2026, in Cortina d’Ampezzo.

COMPTON, EDWARD THEODORE 1849 Stroke, Newington, England - 1921 Feldabing, Bavaria, German Empire The Three Peaks in the...
02/02/2026

COMPTON, EDWARD THEODORE
1849 Stroke, Newington, England - 1921 Feldabing, Bavaria, German Empire
The Three Peaks in the Sesto Alps
Opaque colors on cardboard, 640 x 820 mm !!
Signed lower right and dated 1906

An outstanding work in the painter’s oeuvre.

Compton lived in Munich from 1869 onwards and was an accomplished mountaineer who knew and studied the mountains and was a member of various alpine clubs. His mountain motifs are characterized by great realism, yet are also of the utmost painterly delicacy and power.
In the immediate vicinity of these peaks, this year’s Winter Olympics for Sky will begin on February 6, 2026, in Cortina d’Ampezzo.

JERMENDY (?), JANÖUnknown Hungarian painter active around 1930„Páris Joly  1932“ handwritten location on the reverse Pro...
01/02/2026

JERMENDY (?), JANÖ
Unknown Hungarian painter active around 1930
„Páris Joly 1932“ handwritten location on the reverse
Probably a rural winter landscape near the Páris Gorge in northeastern Hungary
We have no information about this remarkable artist, nor can we determine the location with certainty. The painting probably depicts a village near the Páris Gorge in northeastern Hungary that no longer exists.

Teuscher, Alfred Paul Karl (1904 Berlin 1992)„Evening Clouds“ titled in graphite on the reverseThe painting depicts what...
19/01/2026

Teuscher, Alfred Paul Karl (1904 Berlin 1992)
„Evening Clouds“ titled in graphite on the reverse
The painting depicts what is presumably a Saxon winter landscape. A dog and its companion are the only animated and moving motifs in the bleak, cold environment.
Oil on canvas mounted on wooden panel, 450 x 350 mm
Teuscher was self-taught, learning by copying the Old Masters. However, this winter landscape is clearly in the style of New Objectivity, which is why it can be dated to around 1930.

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          Isla_Cristina Mértola Santa_de_Cambas Corte_do_Pinto
14/01/2026

Isla_Cristina Mértola Santa_de_Cambas Corte_do_Pinto

Unknown photographer, probably active in Copenhagen around the turn of the century Young cyclistColor variations and ori...
14/04/2025

Unknown photographer, probably active in Copenhagen around the turn of the century
Young cyclist
Color variations and original
Photo on albumen paper. Dated around 1890-1910, 100 x 74 mm.
Framers: Otto Moeller, Holmbladsgade 34, Copenhagen
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GALLE, CORNELIS (1576 Antwerpen 1650)After:CIGOLI, LODOVICO (1559 Castelvecchio di Cigoli - 1604 Rom)Published by CAYMOX...
19/01/2025

GALLE, CORNELIS (1576 Antwerpen 1650)

After:

CIGOLI, LODOVICO (1559 Castelvecchio di Cigoli - 1604 Rom)

Published by

CAYMOX, BALTHASAR (1561 Beese/Brabant - 1635 Nürnberg)

„LVCIFER“

Lettered extensively around image with excerpts of Dante’s Divina Comedia. Lettered with publication line below image: „B. Caimax excudit“.

The Devil at centre, with three faces and three pairs of wings, standing in a pool and devouring a damned soul, against dark background; after Lodovico Cigoli.
Engraving, motif: 262 x 193 mm, leaf: 381 x 244 mm.
Bibliographic references:
Hollstein / Dutch and Flemish etchings, engravings and woodcuts c. 1450 -1700 (277)

Acquisition date: November 5, 2024

Ludovico Cigoli (1559-1613) made drawings for the engraving in Florence around 1595. A sketchy sheet without writing can be found in the Uffizi. (Red chalk, pen and brown ink, blue wash, 26 × 20 cm, Florence, Gabinetto Disegni e Stampe degli Uffizi (GDSU 8951 F)
A more elaborate preparatory drawing was offered on the American art market in 2007. (Pen and brown ink, 268 x 213 mm). The inscription “LUCIFER” is already at the top in capital letters. The outlines of the cartouches can be seen on the sides, the writing is missing. See the illustrations.
Cigolis devil figure is based on Giovanni Stradano’s depiction of 1588 (Florence, GDSU 2739F.). This in turn is based on a drawing by Botticelli.

A relief mask by Michelangelo Februcci (1559 Fisole - 1626 Florence) was probably created around the same time. See the last photo.

SCHROETER, BERNHARD (1848 Meissen 1911)Winter NightPastel, ca. 440 x 410 mm, signed lower right: “Bernhard Schröter”.Pos...
16/01/2025

SCHROETER, BERNHARD (1848 Meissen 1911)

Winter Night

Pastel, ca. 440 x 410 mm, signed lower right: “Bernhard Schröter”.

Possibly identical to the “Winternacht”, which was exhibited at the German Art Exhibition in Dresden in 1899 under the catalog number 453 on page 36.
See: Offizieller Katalog Der Deutschen Kunst-Ausstellung, Dresden 1899, (.....) Dresden Blasewitz 1899, page 36 (“Official catalog of the German Art Exhibition, Dresden 1899”, Dresden Blasewitz 1899, page 36).

The path leading from the foreground into the depths is covered with heavy snow and therefore almost inaccessible. The cold moonlight of a clear winter night determines the color scheme.
Bluish-white snow dominates the foreground, forming an idiosyncratic, cool color harmony with the flowing, vegetal forms of bare, brownish trees with withered leaves.
The stillness and solitude of the winter forest at night and the metamorphosis of a landscape in the cold season are the subject of this pastel.

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Charlottenburg

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