Asgard

Asgard Asgard are makers of re-productions of archaeological finds of the Viking Age in pewter, bronze, and
(242)

Join Jim Glazzard, experimental archaeologist and historical craft worker specialising in early mediaeval metalworking, ...
28/05/2026

Join Jim Glazzard, experimental archaeologist and historical craft worker specialising in early mediaeval metalworking, for an hour and a half workshop looking at Viking-age silver working techniques.

Each session starts with a summary of the different techniques that were used in non-ferrous metalworking 1000 years ago. This will cover the range of techniques used focussing in on the use of silver in trade and exchange, and looking at how bullion arm-rings were made. Participants will then, under Jim's supervision, cast their own pewter ingot, using Viking-age methods and reproduction tools, on a charcoal hearth. This will then be worked into a ring-money style arm-ring, using the wrought metalworking techniques used on the original silver artefacts, i.e. a lot of hammering! This is a fairly simple process, and no previous experience is necessary, although participant's results may vary!

As the final touches and decoration are being put to the arm-rings, using decorative punches, the hearth will be fired up to 1000°C, so that the participants can see Jim casting ingots or other objects in silver or bronze.

Participants will gain knowledge of the variety of metalworking techniques in use over 1000 years ago, and some insight into the daily experience of early mediaeval metalworkers. They will have, to take away, a pewter representation of these techniques, and a good appreciation of the skill levels required to produce the original pieces.

Workshop cost: £40 per person. Entrance to the castle and market event must be paid separately. Participants will need to wear clothing of natural, non-synthetic materials, should wear sturdy footwear, and will need to read and sign the activity risk assessment before taking part. Workshop participants must be 18 years old or above. 16 to 18 year olds may take part if accompanied by an adult participant. Advance bookings only, limited spaces available.

We'll be out and about over the next few months at a number of historical events and festivals in England & Scotland. Wh...
23/05/2026

We'll be out and about over the next few months at a number of historical events and festivals in England & Scotland. Which ones are you planning on going to?

Our new Berserker and Valkyrie kids tees are now live on our website. They're available in sizes 3-4 years up to 9-11 ye...
28/04/2026

Our new Berserker and Valkyrie kids tees are now live on our website. They're available in sizes 3-4 years up to 9-11 years.

Drinking horns and tankards are back in stock!We also have these rather cute beakers too.You can find them on our websit...
13/04/2026

Drinking horns and tankards are back in stock!
We also have these rather cute beakers too.

You can find them on our website with our re-enactment supplies.

Our new Berserker and Valkyrie designs are now available on patches and tote bags!
11/04/2026

Our new Berserker and Valkyrie designs are now available on patches and tote bags!

10/04/2026
Is the Pictish Beast the Loch Ness Monster? You might have noticed that we have a couple of designs that feature this en...
09/04/2026

Is the Pictish Beast the Loch Ness Monster?

You might have noticed that we have a couple of designs that feature this enigmatic, slightly strange, but undeniably cute little beastie from Pictish Scotland. Jim even has one tattooed on his arm!

This creature is found on the Pictish carved stones of Scotland, and is shown in a consistent form that is recognisable as the same beast throughout its various appearances. This makes it different from the other fantastical creatures that appear in the Pictish school of stone carving, as they usually appear only once, on one stone.

This makes the Beast part of the corpus of Pictish symbols which were used across the carved stones of the 6th to 9th century, meaning that the people of that time would have understood what this symbol referred to, and that it was carved to express this meaning. Unfortunately, given that the Picts didn’t leave us a key to the symbols, any modern interpretations of their meanings are just that, modern interpretations. No matter how convinced we may be by their validity.

When it comes to interpretations of the Pictish Beast, any discussion usually centres around deciphering which animal it is meant to represent. With suggestions ranging from it being a dolphin, to an elephant!

We see this beast as definitely being a water creature, given that its limbs are very obviously flippers, rather than legs. And we doubt that it was intended to represent a dolphin, as these would have been familiar to the Picts, who had ships and were very capable of navigating around the coastlines and waterways of Early mediaeval Scotland. They may even have been intimately familiar with the anatomy of a dolphin, as dolphins are very edible. This should have been enough for them to realise that they have small flippers and a fluke-like tail, whereas the Beast has a tail more like that of a dog or cat.

The head of the beast does have a beak-like mouth, which does look a little like a dolphin, but it also has a lappet on the top of its head. It has been suggested that this could represent the blowhole of a dolphin, but to us this looks more like the lappets that can be seen in other forms of early mediaeval animal art, such as the Jelling style from Scandinavia.

This leads us to the conclusion that this beast is intended to represent a mythological creature, and Jim has a theory: the Pictish Beast is the Loch Ness Monster!

Now, bear with us here, the logic for this conclusion goes as follows: the earliest recorded sighting of a creature in the vicinity of Loch Ness, in the Highlands of Scotland, comes from the life of St. Columba, written by Adomnán in the 7th century. In this account the saint encounters a water beast in the river Ness, that connects Loch Ness to the sea. This creature had mauled a local man to death, so Columba sent one of his followers to swim across the river, to draw the beast out. When it appeared, the saint made the sign of the cross, and told it to go away, and it did.

This account is often recognised as the first mention of the Loch Ness monster.

These kinds of incidents are often found in the hagiographies of saints, think of St. George. They are intended to demonstrate the saint’s godliness and piety, especially in the face of pagan forces. On this visit to the highlands, Columba was working on converting the Northern Pictish Kingdom to Christianity, so it is reasonable to suggest that the water beast incident, which presumably never really happened, given the continuing absence of any evidence for a large water beast in either the river Ness, or Loch Ness, follows this form of the saint defeating the forces of ‘evil’ with his godly power.

However, and this is where we take a bit of an inferential leap, maybe the ‘water beast’ that Columba encountered on the River Ness was the Pictish Beast carved on the symbol stones. It is from the same period in which this story is set, and, as mentioned above, it does seem to be a water based creature. It also seems to be entirely mythological, like the beast Columba frightened away, and the later Loch Ness monster.

Could it be that the beast was a Pictish water spirit? A kind of local pre-Christian deity? In a land like Scotland, with many Lochs, and regular rainfall, water, and large bodies of water, would have been very important to the early mediaeval peoples living there. So maybe the beast was a manifestation of the power of water in the everyday lives of the Picts? One that was important enough to be depicted on stone carvings across Pictish territory.

Of course, there are many traditions of creatures living in Lochs around Scotland, the Kelpies, and Selkies being two that are known from more recent folklore, but this would be a larger, more important creature. Perhaps something more akin to the Jormungandr of Scandinavian mythology, with an equivalent place in the Pictish pantheon.

This could add some context to the Columba story, where the saint was actually engaged in spiritual warfare against a native cosmology that possibly included god-like entities who inhabited large bodies of water. And through this spiritual warfare, significant members of a mythological pantheon, whose influence and veneration ran throughout Pictish society, were degraded from the status of gods to being considered more like ungodly monsters that were a threat to life and limb. In this later form, as a monster, to be hunted, and essentially bound to the realm of the mundane, this powerful mythological entity became a creature of folklore. Known only to us now as the Loch Ness Monster.

Well, it's a theory. Backed up with only very circumstantial evidence that relies on particular interpretations of the available facts. But we will never know the reality for sure, unless there is a lost Pictish manuscript that explains what all the symbols actually meant, hidden away somewhere just waiting to be found. But that seems unlikely at this point, so all we really have are theories, and there are plenty to go round.

Which is your favourite?

Are you looking for something to do in Argyll this Easter Monday? Then you are in luck! Jim will be at Dunstaffnage cast...
02/04/2026

Are you looking for something to do in Argyll this Easter Monday? Then you are in luck! Jim will be at Dunstaffnage castle, from 10 til 4, for History Matters Ltd . Come along and find out about the influence vikings had on the west coast of Scotland. See you there!

Kneep Ringed Pin. This is a recent commission job that Jim did for a customer. The original ringed pin was found as part...
27/03/2026

Kneep Ringed Pin.

This is a recent commission job that Jim did for a customer. The original ringed pin was found as part of the grave assemblage of a Viking-age woman who was buried at Kneep, near Uig, on the Isle of Lewis in the Hebrides.

The grave dates from the 10th century, and had a comprehensive set of grave goods that included a pair of oval brooches, a knife, a whetstone, a sickle, and a matching buckle and strap-end, as well as the ringed pin.

The grave was discovered in 1979, by a couple who were camping in the area, and discovered bones protruding from an eroding sandbank, and alerted the local police. The Procurator Fiscal (a local prosecutor/investigator in Scotland) C. Scott Mackenzie investigated the site, with the local police detective, the couple who found it, and the friends and family they were on holiday with.

Once Mackenzie had ascertained that this was an ancient burial, rather than evidence of a grisly modern murder, he decided to clear the site to remove the human remains to avoid further exposure. While this was not carried out in an archaeological fashion, it was done carefully enough that the grave could be reconstructed from the PF’s report, with contributions from the party who excavated it.

The ringed pin itself was of the type produced somewhere in the Irish Sea region in the 10th century, and had a polyhedral head, although the facets of this were not as well defined as those seen in other ringed pins, like the one we produce from Coppergate, York. The perforations on the sides of the head still held the ring in place, which had a rhomboidal section, and was still partly articulated. Below the head was a protruding collar, and beneath this was an incised band of hatching. The upper shank, where the pin would sit in a cloak, was round sectioned, and the lower shank was square sectioned, tapering to a point.

This is a very pretty little ringed pin, and a good example of the variety of designs that were used for this class of artefact in the 10th century. It also serves as a reminder that if you are looking at the range of objects we produce, but don’t see the exact archaeological find you are looking for, Jim is more than happy to reproduce specific items for you. Just drop us an email.

Valkyrie T-shirtThis design features Jim’s drawing based on the silver Valkyrie figure from Hårby, Denmark. The 3.4 cm t...
19/03/2026

Valkyrie T-shirt

This design features Jim’s drawing based on the silver Valkyrie figure from Hårby, Denmark. The 3.4 cm tall figure is thought to date to around the start of the 9th century, and falls into the same category as the many female figurines classified as representations of the Valkyries of Scandinavian mythology.

In the Sagas and Eddas, the Valkyries are the female figures who choose half of the fallen warriors from the battlefield, and take them to Odin’s hall, Valhalla, where they feast and train for Ragnarok. The word, Valkyrie, translates literally as “choosers of the slain”, connecting them to this role.

The Hårby figure itself, manufactured in gilded silver, is classified as a Valkyrie figure, as it fits in with the corpus of other Viking-age jewellery that has been interpreted as representing these characters from Norse mythology. Some of these objects depict armed figures, while others show them unarmed, sometimes carrying a drinking horn, which fits in with the role of the Valkyries serving drinks to the einherjar in Valhalla, so we don’t see any problem in accepting this interpretation of the figure.

It has also been suggested that this figure could represent a ‘shieldmaiden’, as in a real, female warrior of the Viking Age. However, while it is now widely accepted that female warriors did exist, the term shieldmaiden is not found in any Scandinavian sources before the 13th century. To complicate matters further, where it is used it can be applied to mythological Valkyries, such as Brynhildr in the Volsungr saga, which was written in the 13th century.

This means that the two words could be seen as synonyms. However, given that Valkyrie has clear roots in Old Norse, and may have actually been used in the Viking Age, whereas Shieldmaiden is more likely a later term, we opted to call this design Valkyrie, rather than Shieldmaiden. As this fits with the generally accepted archaeological classification of the original Hårby figure, we are delighted to present the Valkyrie T-shirt.

Address

15 Highland Avenue
Dunoon
PA238QZ

Alerts

Be the first to know and let us send you an email when Asgard posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to Asgard:

Share