24/06/2026
One of the most talked-about pieces from COUTURE last year — and I saw it then as a judge at the COUTURE Design Awards. But back then, I never actually got the chance to experience it up close. This year, I finally did.
Marie Lichtenberg’s bandana sits in that space between object and high jewellery: sage-green suede transformed with hundreds of hand-sculpted 18k gold elements, rubies, and a six-figure level of craftsmanship across specialist European ateliers.
And it’s exactly what I’ve been seeing across COUTURE 2026 — a shift away from “precious for the sake of precious.” Wood, titanium, rubber, suede… materials are no longer secondary. They are the idea.
What struck me most is its physicality. It’s surprisingly heavy, intensely tactile, and completely changes when you’re holding it rather than just seeing it.
This is what jewellery is really about right now: access, proximity, and experience. Some pieces you don’t just look at — you learn them through contact.