Lynton Master Jewellers

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Lynton Master Jewellers Master goldsmith Michael S. Lynton has crafted bespoke jewellery in Hatton Garden since 1964, specializing in antique recreations, restoration, and fine design.

22/10/2026

Did you know that the smallest change in a flame can make all the difference when creating fine jewellery?
From a soft, gentle flame to intense, focused heat, mastering the jeweller’s torch is an art in itself.
It’s a skill developed over years of experience, where precision, patience and control are essential to bringing every piece to life.
Take a closer look at the techniques behind the craftsmanship.

25/09/2026

Silver soldering when there’s already a stone in the ring takes precision 🔥💍

The key is controlling where the heat goes and protecting the stone from damage. Here’s a closer look at the technique, including how water can be used to keep the stone cool while the solder flows.

A small detail, but one that can make all the difference at the bench.

21/09/2026

I’ve made another ring for a charity auction, with all proceeds of the sale going to the Woking & Bear Hospice. The aquamarine centre is flanked by diamonds and set in 9-carat gold. We’re hoping that is raises £5,000 for the charity.

17/09/2026

A customer wanted a two for the price of one deal by converting her lovely pearl, ruby, and diamond earrings into two pairs. The most challenging part of the job was drilling into the pearls but the result was a success.

08/09/2026

This beautiful ruby, pearl and rock crystal Art Deco brooch came to me in a state of disrepair. I had to dismantle it so new rock crystal can be cut and then I’ll have to reassemble it.

04/09/2026

Restoring a Rare Continental Tremolo Brooch
In this restoration project, I take on a rare and fascinating piece: a tremolo brooch believed to date from around 1910–1915, with continental origins possibly Austrian or Portuguese — though some details suggest it could be even earlier. The bird motif is crafted in 9-carat gold, with delicate enamel wings, and features the classic “tremolo” spring mechanism designed to make the bird tremble with the wearer’s movement.
When the piece arrived, the tremolo spring was completely inactive — the bird wasn’t moving at all. Years of past repairs had also left the piece full of lead, and previous work using modern laser techniques had to be undone to bring the brooch back to its original form.
The collets holding the stones had broken and needed to be entirely remade by hand, matching the original craftsmanship as closely as possible.
Over five days, I carefully rebuilt the broken collets, removed decades of lead and earlier laser repair work, and restored the spring mechanism so the bird trembles again as it was always meant to.
This is a genuinely important piece — a rare survivor of early 20th-century (or possibly earlier) continental jewellery craftsmanship, brought back to life.

01/09/2026

Soldering is an art every jeweller has to master, with different metals requiring different techniques. Silver is a challenge that requires a different approach to gold. Do you struggle with soldering? Let me know what you find challenging about it in the comments

19/08/2026

Melting gold is a technique I’ve mastered over the years, and is something all jewellers should learn. The key is to be patient, don’t rush the process, be careful and don’t panic. Once you have this mastered, you can transform any item into something completely new.

15/08/2026

I made this 18-carat gold half-eternity ring a few years ago and decided to made another. Featuring an elegant floral arrangement of marquise-cut diamonds interspersed with round brilliant diamonds, this timeless design exudes sophistication and sparkle and will hopefully make someone very happy wearing it.

08/08/2026

I have now finished the ruby and diamond tiara and I hope you like the finished product!
Set with 55 carats of rare natural Burmese rubies and crafted in 18-carat gold with 35 carats of diamonds, I crafted bespoke fittings to ensure everything remains perfectly intact.

The ruby and diamond necklace is removable, so it can be worn on its own or mounted onto the tiara which I have aged to provide a sharp contrast with the brilliantly bright jewels in the necklace. How would you wear yours?

Address

Kirby Street
London

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