Kraak Creations

Kraak Creations Founder Ben Rongen, the Aussie raised Dutchman. Former film Director and Cameraman. In 2000 started work with Swedish marine archaeologist Sten Sjostrand.

Art × Heritage × Maritime Silk Road
Blue-and-white porcelain from the Wanli Shipwreck AD1625
Creative works by Ben Rongen
Where history meets contemporary aesthetics
" Own A Piece of History " Ben was first switched on to Sten and his work among the wrecks of the South China Sea while filming a documentary about the Maritime trade and 9 shipwrecks discovered by Sten. Ben has a true passion for the

historic porcelain and its hand painted motives. He brings new life to these 400 year old ceramics shards by creating a range of jewelry from them. This he says, allows everyone to own and wear a piece of history. Ben Rongen was the founding director of Ming Blue and White Sdn.Bhd. He was the creator …and founder of Tradewind Treasures Artifact Jewelry product line, with his concept, designs and the actual cutting of the ceramics. Ben has created a new brand this year with goes by his name [ BEN RONGEN- Historic Artifact Jewelry] with the concept being… From 400 year old Shards to Chic. Each piece of jewelry has a serial number and a certificate of authenticity to verify that all pieces are from the Wanli shipwreck dated 1625.

Treasures of the Nanhai — A Journey for All AgesFrom pre school children to university students, Ben Rongen has shared t...
07/06/2026

Treasures of the Nanhai — A Journey for All Ages
From pre school children to university students, Ben Rongen has shared the stories of shipwrecks, maritime archaeology, and the Maritime Silk Road with audiences of all ages.
Because history beneath the waves belongs not only to scholars, but to everyone.

海上丝绸之路~~
从幼儿到大学,海上丝绸之路没有年龄界限。
让沉睡海底数百年的故事,继续启发下一代。

Dutch perspective: From “searching for colonial trading ships” to “discovering an earlier maritime civilization”荷兰视角:从“寻...
06/06/2026

Dutch perspective:
From “searching for colonial trading ships” to “discovering an earlier maritime civilization”
荷兰视角:
从“寻找殖民贸易船”到“看见更早的海上文明”

16052025 | A historic moment is about to unfold.We are deeply honoured to become the first foreign guests officially inv...
15/05/2026

16052025 | A historic moment is about to unfold.
We are deeply honoured to become the first foreign guests officially invited to visit the archaeological conservation station of the Yangtze River Estuary No.2 Ancient Shipwreck.
What makes this visit even more meaningful is the opportunity to engage in discussions with researchers regarding the possible historical connections between the 1830 Desaru Shipwreck and the Yangtze River Estuary No.2 shipwreck.
The Yangtze River Estuary No.2 is regarded as one of China’s most significant underwater archaeological discoveries in recent years.
This Qing Dynasty merchant vessel sank near the mouth of the Yangtze River and has remained remarkably well-preserved. Thousands of artefacts have been recovered, including porcelain, Yixing zisha ware, wooden objects, and daily utensils — providing invaluable physical evidence for the study of late Qing maritime trade and everyday life.
Even more remarkable is that China employed, for the first time, a pioneering “whole-ship salvage” technique — lifting the entire wreck together with its surrounding sediment intact before conducting detailed excavation work within a dedicated archaeological station. This achievement is considered highly significant in the history of global underwater archaeology.
The Desaru Shipwreck also belongs to the important maritime trade network of 19th-century Asia. Whether through shipping routes, export porcelain systems, or the trade relations between China’s southeastern coast and the Nanyang region, there may well be fascinating historical parallels with the Yangtze River Estuary No.2.
From the shipwrecks of the South China Sea to the Yangtze estuary, it feels as though another chapter of China’s maritime civilisation and the Maritime Silk Road is gradually being reopened before our eyes.

With excitement and anticipation, I will be departing for Shanghai and Qingdao the day after tomorrow.This journey inclu...
09/05/2026

With excitement and anticipation, I will be departing for Shanghai and Qingdao the day after tomorrow.
This journey includes a visit to the archaeological station of the “Changjiangkou No.2 Ancient Ship” in Shanghai to learn more about China’s recent underwater archaeology and ancient ship preservation efforts. I will then continue to to conduct lectures and exchange sessions with students and faculty members from the Cultural Relics Conservation and Restoration Department, as well as donate several pieces of Wanli Ship porcelain for research and educational purposes.
I hope this legendary heritage from the Maritime Silk Road can once again reconnect with China and inspire a new generation of cultural and artistic practitioners.

What you are seeing here is our collection displayed at the Eastern & Oriental Hotel (E&O Hotel).The E&O Hotel is one of...
05/05/2026

What you are seeing here is our collection displayed at the Eastern & Oriental Hotel (E&O Hotel).
The E&O Hotel is one of the most iconic heritage hotels in Penang, and many international visitors first encounter our works there.
👉 This is therefore not a “typical souvenir,” but a design piece that has already entered a refined cultural and high-end hospitality space

您现在看到的,是我们在 Eastern & Oriental Hotel(E&O Hotel) 展示的系列作品。
那里是槟城最经典的历史酒店之一,很多国际游客第一次接触我们的作品,就是在那里。
👉 所以这不是“普通纪念品”,而是已经进入高端文化空间的设计作品。

When millennia-old Miao silver meets four-hundred-year-old blue-and-white porcelain,one carries the warmth of highland c...
18/04/2026

When millennia-old Miao silver meets four-hundred-year-old blue-and-white porcelain,
one carries the warmth of highland craftsmanship,
the other, fragments of history once resting in the depths of the South China Sea—
now, in this moment, they are brought together,
reassembled into a light that belongs to our time.
当千年苗银,遇上四百年青花瓷,
一来自高山民族的手工温度,
一沉睡于南海深处的历史碎片,
在此刻,被重新拼接成属于这个时代的光。

从温哥华飞到新加坡,再从新加坡飞到槟城……一次不经意地走进 COEX ,让我们相遇。在前往机场的途中,你还特意来到我们的 home gallery,在这一片青花之间,再停留片刻。有些相遇,很短,却刚刚好。From Vancouver to ...
15/04/2026

从温哥华飞到新加坡,
再从新加坡飞到槟城……
一次不经意地走进 COEX ,
让我们相遇。
在前往机场的途中,
你还特意来到我们的 home gallery,
在这一片青花之间,再停留片刻。
有些相遇,很短,
却刚刚好。

From Vancouver to Singapore,
then from Singapore to Penang…
A simple, unplanned step into Coex
was how we met.
On the way to the airport,
you made a special stop at our home gallery,
lingering for a moment among the blue and white.
Some encounters are brief,
yet just right. ✨

This is a Late Ming Wanli period (c. 1590–1600) Kraak porcelain bowl, produced in Jingdezhen, likely from the Guanyinge ...
02/04/2026

This is a Late Ming Wanli period (c. 1590–1600) Kraak porcelain bowl, produced in Jingdezhen, likely from the Guanyinge kilns. It is thinly potted with an everted foliate rim, and decorated with typical Kraak panels, featuring birds in waterside landscapes and a bird perched on a rock at the center.
Such bowls were recorded in the archives of the Dutch East India Company (VOC) as “Cameelscoppen” (Camel-Cups), and were earlier referred to as “Kraaikop” (Crow Cups). Archaeological fragments have also been found at kiln sites in Jingdezhen, with documentation appearing in 17th-century European trade records.
A few similar examples were recovered from the Wanli shipwreck (C1625), though most were found broken. Ben Rongen Brand has transformed some of these fragments into jewellery, allowing these pieces of 400-year-old history to be worn and remembered in a new form. One wonders which fortunate collector now carries this fragment of the past.
这是一件晚明万历时期(约1590–1600)的克拉克瓷碗(Kraak Porcelain),产自景德镇观音阁窑。器型轻薄,花口外撇,碗内绘有典型开光纹饰与“石上鸟”图案。
此类瓷碗在荷兰东印度公司(VOC)档案中被称为“Cameelscoppen”(骆驼杯),早期亦被称为“Kraaikop”(乌鸦杯)。相关出土标本曾在景德镇窑址发现,其命名与用途记录见于17世纪欧洲贸易文献。
我们在万历号沉船(C Q625)中曾打捞到少量类似器物,大多已破碎。Ben 已将部分碎片转化为饰品,让这些跨越四百年的历史,以另一种形式继续被佩戴与记忆。不知如今,是哪一位幸运的收藏者,拥有着这一片来自海上的时光。

From the Ming Dynasty to Europe,across four centuries of time—now, this touch of blue and white can be yours.The motif o...
02/04/2026

From the Ming Dynasty to Europe,
across four centuries of time—
now, this touch of blue and white can be yours.
The motif on the Wanli Double Deer Plate symbolizes “double blessings of fortune and prosperity.”
, a homophone for rank and wealth, represents status and success; paired together, they signify harmony and auspiciousness.
More than just a beautiful design,
this piece carries a 400-year-old blessing of abundance and longevity.
#从大明王朝走向欧洲 #珍稀历史瓷器
跨越四百年时光,
如今,你也可以拥有这一抹蓝白。
#万历号双鹿盘(Double Deer Plate)上的图腾,寓意“福禄双全”。
“鹿”与“禄”同音,象征财富与地位;成双出现,更代表圆满与吉祥。
一件跨越四百年的青花,不只是图案之美,
更承载着古人对富足与长寿的祝福。

A Touch of Blue and White: Europe’s Ultimate Status SymbolIn the 17th century,Europe’s elite desired not gold,but Chines...
01/04/2026

A Touch of Blue and White:
Europe’s Ultimate Status Symbol
In the 17th century,
Europe’s elite desired not gold,
but Chinese blue-and-white porcelain.
A touch of blue and white,
traveling across the Maritime Silk Road,
symbolized status, taste, and power.
Four centuries later,
it resurfaces from the South China Sea.
To own it is to own a piece of history.

【一抹蓝白,曾是欧洲最顶级的炫富方式】
17世纪的欧洲,
贵族们追逐的,不是黄金,
而是来自大明王朝的青花瓷。
一抹蓝白,
跨越海上丝绸之路,
象征着身份、品味与权力。
四百年后,
它从南海重现。
拥有它,就是拥有一段历史。

Address

123, Jalan Timah, Pulau Pinang Hinbus Depot
George Town
10150

Opening Hours

Friday 11:00 - 16:00
Saturday 11:00 - 17:30
Sunday 11:00 - 17:30

Telephone

+60164422682

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